Bruno Vinhas
Textile Artist & Curator
Bruno Vinhas
Textile Artist & Curator
Originally from the unceded stolen land of the Tupinambá people, culturally influenced by Africans from the Bight of Benin or Central Africa who were robbed of their rights and enslaved in the country known as Brazil (Pindotetama), Bruno Vinhas’s journey as a curator, arts administrator, and cultural connector has always been shaped by curiosity, collaboration, and care. With a background in Cultural Tourism and Textile Craft & Apparel Design, he has found purpose in using creative work to bridge communities, spark conversations, and shift narratives. He brings to his practice a combination of resilience, curiosity, and care—qualities shaped by his experiences as a queer, Latin immigrant living and working in Atlantic Canada. He learned to turn difference into strength, using his positions to elevate others and to question who has access to cultural spaces.
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From 2017 to 2024, Bruno served in progressive roles at the Craft Council of Newfoundland and Labrador, including as Gallery Director (2017-2022) and later Director of Events and Outreach (2022-2024). He has installed and curated over 60 exhibitions, at the Craft Council of NL, The Rooms, Eastern Edge Gallery and the Quidi Vidi Artisan Village. One of his projects to develop emerging craft voices was the creation a partnership between the Craft Council Gallery and the College of the North Atlantic Textile’s program, in 2018, to exhibit their graduation show in a professional gallery space with mentorship components to the students and was a consultant on the development of the Emerging Curators Program for the Cape Breton Centre for Craft and Design, 2025. He also implemented large-scale programming such as the Craft Conversation series during the pandemic, and worked on national initiatives such as the Northern Lights, in Ottawa, Made in Canada: Sustainable Fibre Arts Conference 2024, hosted in Gros Morne, the Baffin Chamber trade Show (Iqualuit, Nunavut) and Labrador Expo (Happy Valley Goose Bay, NL). He developed new programs for accessibility during his time at the Craft Council of NL, such as the Whisper Program, a dedicated program for blind and visually impaired patrons to enjoy the gallery exhibitions; dedicated sensory aware time for patrons in the spectrum; SENSORIUS—the first local exhibition focusing on work created for the disabled-identified community with their support along the curatorial process.
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At the heart of his work is the belief that craft can be a tool for empowerment, healing, and cultural continuity - especially in underrepresented or rural communities. Much of his practice has centered around creating accessible, collaborative spaces for artists to grow, share knowledge, and celebrate identity. His practice focuses on the promotion and development of the craft community and makes room for diverse cultural narratives.​
His curatorial work expanded internationally with Collect Art Fair’s exhibitions Here + Now: Collected Works from Canada’s Atlantic Coast and Connecting Culture + Landscape Through Water, held at Somerset House, London in 2024/2025, respectively, showcasing Atlantic Canadian craft on a global stage through Craft Alliance Atlantic Association. In 2024, he was appointed Manager of the Export Program at Craft Alliance, where he continues to support craft artists in accessing international markets.
He has also contributed to the craft sector development through Canada Council peer assessments and authored articles in Studio Magazine (Canada) and Unsustainable Magazine (Australia). ​Recognition such as the 2023 Mary MacDonald Award from VANL/CARFAC affirms his impact in championing craft practices and cultural equity.
Receiving the Mary MacDonald Award was a powerful affirmation, but what matters most to him is the network of artists, cultural workers, and communities that he has supported and learned from. Their trust and collaboration are the real rewards—and they are what fuel my continued commitment to work in the cultural craft sector.